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Look Homeward, Angel

by Thomas Wolfe
Goodwood Theatre 166a Goodwood Road, Goodwood
November 16, 17, 22, 23, 24 @ 7.30, Matinees Sunday 18 @ 4.00; Saturday 24 @ 2.00, Early Tuesday 20, Wednesday 21 @ 6.30
by arrangement with ORiGiN Theatrical on behalf of Samuel French Inc.

North Carolina. 1916. But it could be anywhere. Any time.

Teenager Eugene Gant lives in a country town with his large, crazy family, and survives by reading great books. His home is the “Dixieland” boarding house, run by his domineering mother, Eliza, who is forever buying real estate and caring for her bizarre assortment of boarders rather than her family. She constantly battles with Eugene’s boozy, poetry-spouting father, W. O. Gant – a monumental mason, whose prize possession is a marble angel that represents the characters’ aspirations. Of all his siblings, Eugene most idolises his older brother, Ben, who knows the danger of entrapment by the family, and urges young Eugene to get away.

Caught in the stifling cross-fire between his romantic father and pragmatic mother, Eugene dreams of escaping to become a writer. But nothing complicates a dream like the arrival of your first great love.

Will he ever get away? Will he recover? Can he learn to understand and forgive?

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Old Wicked Songs

Old Wicked Songs is a play by Jon Marans
Goodwood Theatre 166a Goodwood Road, Goodwood
July 27, 28, August 2, 3, 4 @ 7.30, Matinees Sunday 29 @ 4.00; Saturday August 4 @ 2.00, Early Tuesday July 31, Wednesday August 1 @ 6.30

Vienna. 1986.

Kurt Waldheim is running for the chancellorship of Austria, despite his Nazi past.

Hoping to shatter the artistic block that has crippled his brilliant career, Stephen Hoffman, a young American piano prodigy, has come to study in Vienna. He is assigned to an elderly vocal teacher, Professor Josef Mashkan, who – to Stephen’s disgust – insists on teaching him, not the piano, but how to sing Schumann’s “Dichterliebe” song cycle about the birth and death of love.

It seems impossible that the two will ever get along: one is European, one American; one old-fashioned, the other modern; one passionate, the other technically precise; and, finally, one a seeming anti-Semite, and the other a Jew. As they struggle to work together, Stephen discovers that Mashkan is masking a darker history, and would die rather than confront it. Eventually, only the music – their one common bond – with its combination of suffering and joy, helps release the teacher’s emotions and melt the student’s frigidity.

Independent Theatre is privileged to re-mount this haunting play, with its unique mix of drama and vocal music. A great friend of Independent Theatre, playwright Jon Marans will again travel to Adelaide to assist with rehearsals, and speak to Patrons and Subscribers.

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