The newly opened D’Arenberg Cube at McLaren Vale is spectacular, fun and full of unique experiences for all your senses. There’s the Alternate Realities Museum on the ground floor, which is really cool, and a restaurant as well as a wine tasting area on the next levels. The view on the 4th floor is amazing, […]
On the occasion of the Kimberley Foundation Australia’s 20th Anniversary and the 10th anniversary of the death of Grahame Walsh, KFA tells the story of how the relatively unknown historic treasure that is Kimberley rock art has become the focus of major research by Australia’s leading archaeologists and scientists. Two multi-million dollar research projects involving 40+ researchers from all over the world, along with traditional owners, are collaborating on archaeological surveys. A pioneering Rock Art Dating project has the world watching…
The Kimberley Foundation Australia is unravelling a cultural tradition spanning 60,000+ years. The Aboriginal rock art of Australia and the story it tells traces the history of global human migration. Revealing this story is the essence of our mission. It is Australia’s story. By unlocking the archives of the paleo environment and researching and dating the rock art we are learning how to conserve and protect this precious heritage and environment.
And behind that story is another story waiting to be told. It is the story of the Foundation’s history. Who were the people involved? How did KFA create a model for funding research where the drivers are both the Aboriginal traditional custodians and the general public – all seeking to understand and protect the cultural and historic significance of this Indigenous legacy? Twenty years on more than 40 KFA-sponsored researchers are in the field working collaborating with traditional owners and involving more than a dozen universities and institutions.
There is no better person to tell this story than Maria Myers AC. Awarded a Companion of the Order of Australia in 2016 for the advancement of the understanding of Indigenous rock art and for her service to the community through philanthropic leadership, Maria Myers has been Chairman of KFA for eight years. Her story started in 1994 when she met Grahame Walsh. Already a student of Aboriginal culture she was so inspired by his description of the living culture of the Kimberley and the rock art that she went to see it. She was hooked.
In 2001 Maria joined the KFA Board. The Foundation was already making historic headway with its founding principles of two-way understanding and two-way learning between traditional aboriginal Kimberley people and non–aboriginal people. In 2009 Maria was appointed Chairman. Today, the Kimberley Foundation Australia is at the forefront of scientific research backed by philanthropists, leading trusts and foundations and everyday Australians.
Friday 14 September — Friday 30 November 2018
A collaborative project between the National Film and Sound Archive and the National Portrait Gallery, Starstruck: Australian Movie Portraits reveals never-before-seen stories of Australian cinema. Through photographic portraits, candid behind-the-scenes shots, rare film posters, casting books and original costumes, Starstruck celebrates the past and present of Australian film—including watershed moments in cinema and iconic visions of Australian life—and also offers a glimpse into the experiences of the actors and crew. The exhibition explores how cinema portraiture can create a bridge between the magic of a movie’s fictional worlds and the realities of filmmaking.
A National Film and Sound Archive of Australia and National Portrait Gallery exhibition supported by the National Collecting Institutions Touring and Outreach Program, presented by Samstag Museum of Art for the 2018 Adelaide Film Festival.
Visit starstruck.gov.au
Friday 14 September — Friday 30 November 2018
Time begins, ends and goes astray in The Waiting Room. It is the place between ‘before’ and ‘after’. A place where realities converge and diverge. In The Waiting Room, we are transported to that place, where the elusive yet exacting nature of time reveals itself.
International award-winning filmmakers Molly Reynolds and Rolf de Heer, together with visual designer Mark Eland and sound designer Tom Heuzenroeder, present a cinematic installation in five dimensions, traversing the audio-visual realm through space and time. Continuing the Samstag Museum of Art’s series of moving image commissions in partnership with the Adelaide Film Festival, The Waiting Room is Reynolds’s and de Heer’s first foray into creating work expressly for an exhibition context. Matching technical dexterity with conceptual depth, it promises to push the boundaries of the cinematic experience.
A Samstag Museum of Art exhibition in association with the 2018 Adelaide Film Festival.
