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The Met presents Cole Porter’s Musical: CAN-CAN

In 2018, The MET is thrilled to celebrate 60 Years of performing Musical Theatre in Adelaide. To celebrate our 60th Anniversary, we are very proud to present Cole Porter’s production of CAN-CAN.

CAN-CAN is set in the Montmartre district of Paris in 1893.

At the Bal Du Paradis Cafe, owned by La Mome Pistache, the naughty CAN-CAN dance is performed. After a police raid, the dancers are arrested and the ensuing court case results in Judge Aristide Forrestier personally investigating the charges of ‘lewd and lascivious dancing’. Although forewarned of complications by his friend, Judge Paul Barriere, Aristide falls in love with Pistache and is introduced to some diverse characters and situations.

Boris Adzinidzinadze, a Bulgarian sculptor, is courting Claudine the lead dancer at the Bal Du Paradis. Their friends Theophile, Etienne, Hercule and Celestine and the vivacious CAN-CAN dancers are all trying to impress the suave, influential Art Critic, Hilaire Jussac. The resulting situations are fun-filled and colourful, climaxing in an exhilarating performance of the CAN-CAN.

CAN-CAN features some of Cole Porter’s well-known songs: I Love Paris, C’est Magnifique, Never Never be an Artist and the exciting CAN-CAN dance.

The MET welcomes back Leonie Osborn as Director, Stephanie Neale in her debut as Musical Director for The MET and Carmel Vistoli as Choreographer.

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Blue Touch at Beaumont House

Acclaimed jazz improviser and saxophonist Derek Pascoe and multi-award winning pianist Gabriella Smart have been an improvising duo for three years. Ahead of their European tour, they delve into what they love to do most – stretching the boundaries of listening through improvisation in sound and technique. This Sunday, the duo will come together at the beautiful Beaumont House for a breathtaking sunset performance. Featuring a world premiere written for Pascoe and Smart by Soundstream Emerging Composer commission recipient Leah Blankendaal, and solos including an Australian premiere for solo piano by Annie Hui-Hsin Hsieh.

This concert is made possible with the generous support of Chamber Music Adelaide, Prelude National Network of Residencies, and the following organisations.

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Snowmaggedon: The Penguins of Antarctica

Navigating the perilous waters of the Caribbean, it is just another ordinary day of seafaring and skulduggery for the crew of the good ship HMS Griselda. Until, that is, they stumble across a very lost penguin called Burt.

Presented by the zany team at Heapsgood Productions, ‘Snowmageddon: The Penguins of Antarctica’ takes you on a voyage to one of the coldest and darkest places on Earth. Join our swashbuckling pirates as they head due South to discover the true meaning of friendship and what it means to help someone just because you can.

Our chilly children’s performance is part of Our Port Winterfest. See the show, explore the museum and then head over to Harts Mill for more winter warming wonder including workshops, music and food.

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ABRASKA ‘Finding Colour’ EP LAUNCH

ABRASKA will launch their new EP at the Grace Emily Hotel on Saturday 30th June,
with special guests The Winter Gypsy & Ollie English (Solo)

ABRASKA is a new face on an established collective of accomplished Adelaide musicians.

ABRASKA melds its diverse backgrounds through vibrant musical roots, bold horns & soaring voices, flighty melodies & a broad universe of rhythms, inspiration from many cultures, the influence of skilled musicianship, the spark of ingenious creativity.

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