Raw. Confronting. Moving. Brave…Timely.

Laura Desmond’s monologue socially (un)acceptable is performed with purpose, meaning
and emotion. The finite recount of a series of sexual assault incidences experienced
by one individual is a powerful representation of expectation and entitlement and
how these can be misunderstood for consent and permission. The unselfish exposure of
this behaviour is a subtle reminder that sexual assault can be a myriad of unwanted
physical behaviours and emotional abuse.

Dressed sparingly, the performer referred to how perceptions and expectations can
change when influenced by alcohol and the (un)acceptable behaviours it can prompt –
even in the nicest or closest of friends. It was also a brutal reminder of the
importance of continued education, not only for girls and young women, but people of
all ages, genders and nationalities.

Sitting in the darkened and musty hotel room, I was flawed by this beautifully
delivered piece which was emotionally challenging and at times breathtakingly
difficult to listen to. The standing ovation and over-zealous clapping at the
conclusion of the performance was an applaud for Laura’s bravery.

This performance is supported by anonymous portraits of survivors of sexual assault
by Adelaide artist Stephanie Mitchell .

Socially (un) acceptable continues at the Producers in the CBD until 2nd March and
then will be performed from 8-11 March at The British Hotel, Port Adelaide.
Performances are held in the evenings and tickets can be purchased via the Adelaide
Fringe Festival website.